In Spite of Chores Camilla Steinum
February 11 – April 08, 2017

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Camilla Steinum, In Spite of Chores, 2017, Installation view

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Camilla Steinum, In Spite of Chores, 2017, Installation view

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Camilla Steinum, In Spite of Chores, 2017, Installation view

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Camilla Steinum, Discontent Slumber, 2017

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Camilla Steinum, Discontent Slumber, 2017

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Camilla Steinum, Discontent Slumber, Detail, 2017

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Camilla Steinum, Discontent Slumber, Detail, 2017

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Camilla Steinum, Beater, 2017

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Camilla Steinum, In Spite of Chores, 2017, Installation view

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Camilla Steinum, Determined Nap, 2017

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Camilla Steinum, Determined Nap, 2017

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Camilla Steinum, Determined Nap, 2017, Detail

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Camilla Steinum, Determined Nap, 2017, Detail

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Camilla Steinum, Determined Nap, 2017, Detail

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Camilla Steinum, In Spite of Chores, 2017, Installation view

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Camilla Steinum, Beater, 2017

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Camilla Steinum, Don‘t sleep on, 2017

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Camilla Steinum, Don’t sleep on, 2017, Detail

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Camilla Steinum, Don’t sleep on, 2017, Detail

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Camilla Steinum, In Spite of Chores, 2017, Installation view

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Camilla Steinum, In Spite of Chores, 2017, Installation view

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Camilla Steinum, In Spite of Chores, 2017, Installation view

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Camilla Steinum, Beater, 2017


Forms reappear, a harmonic line is reproduced, this is already a kind of knowledge, at least a frequent, recurring recognition: a strong stability can appear again before our eyes, ring like a refrain in our ears; memory presents itself as knowledge, rhythm presents itself as habit – and before long, as law. But this rare trace in the aerial fluid, this unstable, complex mixture, this partially undone knot, trailing a thousand threads, is not subject to repetition, never achieves invariance: too circumstantial to begin beating in time, too fluid, diluted, chaotic. A bedizened, transcendental space, conditional but not general.

The breathable space lies in a thin layer at ground level and remains stable for quite a long period. Can we place another thread. Where would it go? Under, over, beside: what does ‚side‘ mean?

In the time before the arrival of the word, the flesh is brimming over with grace, intrinsically. It sleeps during the long, wordless night and dreams, amidst the fleeting scents of asphodel, that an enormous tree is sprouting from its stomach, the last branch of which is called the word. Bare-breasted and resting near the patriarch, himself heavy with sleep, she, flesh, dreams in silence of an inconceivable child. Flesh dreams of words; language – fruit – takes root in its womb.

The body resembles the table. The organism is studded with small memory pockets, where time hardly flows or stops altogether, unconscious where it can remain frozen forever. *


* with fragments of Michel Serres’, The Five Senses: A Philosophy of Mingled Bodies