Grace Weaver's solo exhibition of new paintings, “Parataxis”, opens within Berlin Art Week. Preview from 6–8 pm on 04.09.2026

As part of Gallery Night by Gallery Weekend Berlin during Berlin Art Week 2026, Grace Weaver’s “Parataxis” brings together new paintings exploring everyday rituals, people, and domestic spaces. Weaver offers a playful perspective on contemporary life, contributing to a night that brings together 54 galleries across Berlin. From 6–10pm on 10.09.2026

Paloma Proudfoot presents “Glass Delusion” at Collective's City Dome Gallery, Edinburgh, her first solo exhibition in Scotland. The exhibition brings together large-scale ceramic friezes, sculpture, and a newly commissioned performance in collaboration with artist Aniela Piasecka and composer Ailie Ormston. 06.03.–24.05.2026

Rachel Youn's solo exhibition “Unruly Vessel” opens during the Venice Biennale week, concluding their residency at Scuola Piccola Zattere — an independent space founded in 2024, dedicated to research, experimentation, and exchange in contemporary art. 07.05.–18.10.2026

“Perception Spot”, a solo exhibition by Camilla Steinum brought together participatory and installation works that examine how meaning arises – and how it slips away. 01.05.–13.06.2026

Soy Capitán is featured in Monopol Magazine's preview of Art Düsseldorf, including Paloma Proudfoot's work “Threaded (hook and eye)” (2026) as the story's cover image. Read it here.

Grace Weaver's solo exhibition “Prélude” will be on view at Kunstmuseum Magdeburg, bringing together paintings and works on paper from two recent series – Flowers (2024) and Mothers (2025). 10.03.–16.08.2026

Eli Cortiñas is on view at BOZAR, Centre for Fine Arts, Brussels, as part of “Picture Perfect. Beauty Through A Contemporary Lens”, a group exhibition examining representations of beauty in photography and video from the 1960s to the present. 07.03.–16.08.2026

Grace Weaver is included in “I Can Buy Myself Flowers“, a group exhibition at Kunsthal n, Copenhagen. The show takes the flower as a recurring motif across art history, examining it as a symbol of autonomy. 08.03.–02.08.2026

Paloma Proudfoot’s work “Gardening” (2024) is currently on view in the exhibition “The Way We Are” at Weserburg Museum für moderne Kunst in Bremen, a continuously evolving collection presentation organised through thematic rooms and changing groupings of works. 20.02.2026–open ended

Paloma Proudfoot and Nicolas Deshayes’ exhibition “Pillow Talk” is currently on view at Quench in Margate, UK, presenting a dialogue between new and recent sculptures in ceramic and cast metal. 23.01.–22.03.2026

SB34 presents works by Shahin Afrassiabi in a solo exhibition titled “Liking” in Ixelles, Belgium. 16.01– 28.01.2026

Matthias Dornfeld is currently on view with the solo exhibition “Sonntag” at the Achim Freyer Kunsthaus in Berlin, bringing together a selection of paintings that reflect Dornfeld’s ongoing engagement with colour, gesture, and painterly process. 18.01.2026–29.03.2026

Vogue India has published an article by Avantika Shankar on Melissa Joseph’s felt artworks, describing the works as a moving reflection on memory, family archives, and diasporic identity. Read it here.

Berlin Art Link has published a thoughtful review of the exhibition “The Power of Small Things” by Eva Szwarc, reflecting on the quiet presence of the works and how small gestures can shift our attention. Read it here.

Soy Capitán took part in House of Galleries in Frankfurt with selected works by Grace Weaver. House of Galleries marks Frankfurt’s annual opening for contemporary art. More than 40 galleries from Frankfurt, Germany, and across Europe present a curated solo exhibition each in the former executive offices of the TRIANON high-rise. 22.01.–25.01.2026

Rachel Youn has been included in Galerie Magazine's list of Emerging Artists of 2025. The artists are selected by a jury composed of art-world figures such as Vincenzo de Bellis, Julie Mehretu, Amy Smith-Stewart, and others.

Grace Weaver's “Untitled (Madonna Lactans)” (2025) has been included in Süddeutsche Zeitungs 4th edition of “Grosse Kunst”, in which nine different artists are invited to select one work to fill an entire magazine page.

Melissa Joseph spoke with Jennifer Samet for Hyperallergic's series “Beer with a Painter”, which features in-depth conversations with painters about their practices. Read it here.

Congratulations to Grace Weaver: The Städel Museum, Frankfurt, has acquired “Untitled (Couple in a Trashscape)” (2022) for its permanent collection. We’re delighted to see Weaver’s work enter this important institution, marking another step in her growing institutional recognition.

Eli Cortinas’ “Surrender, Dorothy!” (2025) was part of the group show “Global Fascisms” at HKW Berlin. The exhibition examines the aesthetic, social, and political dynamics of fascism, exploring both historical and contemporary contexts where far-right ideologies thrive. 13.09.–07.12.2025

Melissa Joseph is featured in Artnet’s “25 Boundary-Pushing Artists of 2025.” This special feature spotlights artists redefining their fields and includes Melissa among just five fibre artists recognised.

Paloma Proudfoot's work is on view in the group show “MAGISCHE FRAUEN” at the Draiflessen Collection in Mettingen, DE. 26.10.2025–22.02.2026

On the occasion of her solo presentation “Tender” at the Brooklyn Museum and in celebration of her 2024 UOVO Prize, Melissa Joseph was visited in her studio to discuss her practice and the ideas behind “Tender”.

Grace Weaver was interviewed by Marc-Christoph Wagner for Louisiana Channel in her studio in Rangsdorf near Berlin, discussing her ongoing exploration of the female body in painting, drawing, and sculpture. Louisiana Channel is the online video platform of the Louisiana Museum of Modern Art, Denmark, featuring in-depth artist interviews and contemporary art content. Watch the full video here!

Matthias Dornfeld’s catalogue “danke, esslingen,” published by DCV is OUT NOW! Following the comprehensive retrospective at Villa Merkel in Esslingen, this volume serves as both documentation of the exhibition and an in-depth exploration of its themes. It features essays by Friedrich Meschede, Daniela Stöppel, and Christian Gögger, whose contributions shed light on Dornfeld’s oeuvre and iconography.

The Oldenburger Kunstverein presented “Notes on Becoming”, showcasing works by Paloma Proudfoot and Grace Weaver. The exhibition explores the process of becoming in art and brings together works by Natacha Donzé, Katharina Grosse, Lena Henke, Gregor Hildebrandt, Jürgen Krause, Alicja Kwade, Philipp Modersohn, David Reed, Karin Sander, Danh Vo, Anna Vogel, Thomas Wachholz, and Heimo Zobernig. 29.08–09.11.2025

Melissa Joseph’s solo public installation “Tender” was on view at the Brooklyn Museum, as part of her 2025 UOVO Prize. Also on view is a 50-by-50-foot mural at UOVO’s Bushwick facility.

Paloma Proudfoot's work “Gardening” (2024) is part of the group show “Sound of the Earth – Ceramics in Contemporary Art” at Kunstmuseum Appenzell. 25.05–04.09.2025

Shahin Afrassiabi took part in Rib Rotterdam's art festival “Het Zuid Mainfest: I Love Carlos”. 28.03–30.03.2025

Rachel Youn is featured in the current “New Talent” issue of Art in America. This special edition highlights 20 artists to watch and includes a wonderful profile on Rachel, written by Emily Chun.

Paloma Proudfoot's first solo exhibition in Italy, titled “Speech Weavers,” was on view at Fondazione Bonollo in Thiene. 06.06.–08.30.2025

Eli Cortiñas is featured in Phaidon’s “Vitamin V: Video and the Moving Image in Contemporary Art.” Available via Phaidon Press.

Rachel Youn's works were on view in the group show “do WORRY be happy” at Kunsthalle Barmen. 23.05.–31.08.2025

Soy Capitan is pleased to announce “no words,” the gallery’s first collaboration with New York-based artist Melissa Joseph, presented on the occasion of Gallery Weekend Berlin. 02.05.–04.05.2025

Grab a copy of Grace Weaver's limited edition take on Chapter No. 006 of Herman Melville's Moby Dick for Harpune Verlag's special publication “Moby Dick Filet.”

Paloma Proudfoot’s first institutional solo exhibition, “Lay Figure”, curated by Zoe Watson, was on view at The Lowry, Salford, UK, exploring the 19th-century medical history of hysteria through ceramics, mixed media, and performance. 23.11.2024–14.02.2025

Nora Wölfing wrote about Rachel Youn's show “Pleasure Circuit” for ArtAsiaPacific.

Paloma Proudfoot's work “The Mannequins Reply” (2023) was on view at Mead gallery, as part of Hayward Gallery Touring's show “Material Worlds: Contemporary Artists and Textiles”.

Caroline Wong's “Feline Theatre” was on view at Neues Haus at Berliner Ensemble in the 2024/25 season. The presentation is part of “Kunst im Foyer”, an initiative by Corina and Max Krawinkel, continuing the Berliner Ensemble's collaboration with contemporary artists.

Paloma Proudfoot discusses her work “The Mannequins Reply” (2023) with UK's Arts Council Collection, following its recent acquisitions.

Eli Cortiñas' solo show “The Machine Monologs – Part I: The Storm” was on view at Fotografiska Berlin. 23.08.–01.12.2024

Klara Hobza presented her second artist book “On Slaughter” at Zabriskie Buchhandlung in Berlin-Kreuzberg. 25.10.2024

Eli Cortiñas' show “The Machine Monologs – Part I: The Storm” at Fotografiska Berlin is featured in Arts Of The Working Class' round-up of Berlin Art week!

Matthias Dornfeld was part of the group exhibition “What's The Story?” at KMSKA (The Royal Museum of Fine Arts Antwerp) in Antwerp, Belgium, alongside artists like Chantal Akerman, David Claerbout, George Condo, Raoul De Keyser, Thomas Houseago, Mark Manders, and Koen van den Broek. 16.08.–17.11.2024

Talisa Lallai’s solo show “Ciao!” was on view at the Oldenburger Kunstverein. 23.08.2024–17.11.2024

We are thrilled to welcome Talisa Lallai to our gallery program!

Klara Hobza was on view at Haus with her solo show “Zustände in 11 Abschnitten” as part of their anniversary program. 20.07.2024–01.10.2024

A new commissioned work by Paloma Proudfoot, specifically created for the exhibition “The Infinite Woman” curated by Alona Pardo, is presented by The Carmignac Foundation at The Villa Carmignac, Hyères, France. The exhibition interlaces the narratives of artists who, irrespective of gender, have not only challenged social norms but also the confines of art and its restrictive categories. Featuring works by Sandro Botticelli, Judy Chicago, Michael Armitage, John Currin, Loie Hollowell, Lisa Yuskavage, Lee Bul, Martine Gutierrez, Billie Zangewa, Roy Lichtenstein, Louise Bourgeois, Mary Beth Edelson, France-Lise, and Paloma Proudfoot. 27.04.–03.11.2024

Rachel Youn transforms discarded objects into dynamic kinetic sculptures, exploring themes of movement, failure, and human interaction. In this interview, Youn talks to Phillip Edward Spradley for FAD magazine about their latest works, detailing the creative process and the technical challenges of turning mundane items into compelling installations.

Klara Hobza’s long term endeavor “Diving Through Europe” has been commemorated by local graffiti artists, as part of Tangente St. Pölten.

Reinhard Voigt's first comprehensive retrospective, featuring around 60 paintings as well as an equal number of drawings and photographs, was on display at the Neues Museum Nürnberg. 27.10.2023–17.03.2024

“Textiles” with works by artist Reinhard Voigt took place at Soy Capitán during Gallery Weekend. 26.04.–15.06.2024

Soy Capitán was part of Art Düsseldorf again this year, with a solo presentation by Caroline Wong. 11.04.–16.04.2024

An exhibition with works by Grace Weaver from the Stadler Collection was showcased at Neues Museum Nürnberg. In addition to the latest paintings, there are works on paper, including collages, which were being exhibited for the first time.

Matthias Dornfeld solo show “Danke Esslingen” took place at Villa Merkel in Esslingen. The presentation featured more than 80 works by the artist. 08.12.2023–28.01.2024

Paloma Proudfoot is featured in the publication “Boobs in the Arts: Fe:male Bodies in Pictorial History”. The book is a compendium of images spanning different eras, art movements, and discourses which bring together various artistic positions from the beginning of the twentieth century to the present in chronological order.

The gallery participated in this year's ARTISSIMA in Turin with a solo presentation by Paloma Proudfoot. 03.11–05.11.2023

Grace Weaver's first institutional solo exhibition “Painters & Portraits” in China takes place at YUZ Museum (Project Space of Art) in Shanghai. 28.10.2023–25.02.2024

Rachel Youn is participating in the group exhibition “Petromelancholia” curated by Alexander Klose. The exhibition deals with the all-encompassing presence of petroleum and the enormous consequences of life after oil. “Petromelancholia” contemplates the legacy of the oil era and the new meaning that the past will undoubtedly acquire in the future. On view at BRUTUS, Rotterdam. 01.09.–19.11.2023

The gallery was a part of the exhibition Hallen #4, with the video installation “I've Always Demanded More From The Sunset” by Eli Cortiñas. At WILHELM HALLEN as part of Berlin Art Week. 09.09.–17.09.2023

“Mamá y Papá” by Yi Ten Lai was part of Gallery Weekend Festival, during Berlin Art Week. The performance was held at Studio Mondia 16.09.2023

Eli Cortiñas’ video “Not Gone With the Wind” was screened within the frame of the Short Feature Program at Studio Mondial on Kurfürstendamm during Gallery Weekend Festival, as part of Berlin Art Week. 16.09-17.09.2023

Klara Hobza was part of the group exhibition “love/love” at Künstlerhaus Dortmund. In the inclusive and participatory exhibition artists present paintings, chemigrams, videos, installations and performances on the theme of love, transforming the Künstlerhaus into a walk-in stage. 19.08.–01.10.2023

Paloma Proudfoot was featured in “Unruly Bodies”, a group exhibition at Goldsmiths Centre for Contemporary Art in London. Showcasing thirteen women and non-binary artists, the exhibition presents artworks that explore the experience of embodiment today. 30.06.–27.08.2023

Work by Matthias Dornfeld was featured in the group exhibition “Ungekämmte Bilder: Art from 1960 Onwards” from the collection of Herzog Franz Von Bayern at the Pinakothek der Moderne in Munich. 12.05.–03.10.2023

Rachel Youn was part of the exhibition “The Butterfly Affect” at Fondazione Sandretto Re Rebaudengo in Turin. The exhibition, curated by Irene Calderoni and Bernardo Follini, presented artistic practices that confront the field of botany to explore the political, social, and economic contradictions of our societies. 11.05.–15.10.2023

Paloma Proudfoot was part of “Contours of Grief”, a group exhibition examining loss and mourning through various artistic media at Galerie im Körnerpark. 03.03.–18.05.2023

Rachel Youn was part of “Ecologies of Elsewhere” at the Cincinnati Contemporary Arts Center. 10.02.–06.08.2023

Check out the catalogue for “24h”! Grace Weaver was part of this group exhibition with Super Super Markt, at BRAUNSFELDER, an exhibition space in Cologne.

Matthias Dornfeld had a solo show at Oldenburger Kunstverein. In “L’Amour Change Tout”, Dornfeld assembled an eccentric cast, an inventory of warped classical painterly motifs: the portrait, the landscape, the still life, the abstract. 25.11.2022–05.02.2023

Paloma Proudfoot's latest solo exhibition “The Memory Theatre” was on view at Bosse & Baum in London. 18.11.2022–28.01.2023

Rachel Youn’s work is featured in a group exhibition at the Naughton Gallery at Queen's University in Belfast, one of Northern Ireland's leading contemporary art spaces. The exhibition, titled “NGXX”, marks the twentieth anniversary of the gallery. The show examines politics, the environment, race, sexuality, family and heritage via painting, photography, drawing, sculpture, illustration, tattoos and textiles. 13.10.22–29.01.23

A new article on the work of Eli Cortiñas, written by Gillian Nicole Osborne for Berlin Art Link. Her work critiques assistive technologies that endorse and enforce regressive heteronormative standards of femininity, and dissects culture biases and gender tropes in Artificial Intelligence that dehumanize and disempower women.

We are very happy to announce the representation of Caroline Wong! Our first exhibition took place during Berlin Art Week. 16.09.–12.11.2022

Work by Rachel Youn is included in a group exhibition at The National Gallery of Modern and Contemporary Art in Rome, curated by Gerardo Mosquera. The exhibition takes its title, “Hot Spot”, from a work of the same name by Mona Hatoum, a large installation in iron and neon depicting environmental catastrophe. 24.10.2022–26.02.2023

As we globalise and digitise, the physical spaces in which we work adapt. Featuring work by Eli Cortiñas, Julia Höner curates a group exhibition entitled “Landscapes of Labour”, examining the social, political and ecological shifts that occur as our work structures evolve. 25.08.2022–08.01.2023

Grace Weaver is part of a group exhibition with Super Super Markt, at BRAUNSFELDER, an exhibition space in Cologne for international contemporary art. 31.08.–05.11.2022

Grace Weaver is part of “HOW TO & KNOW-HOW”, a group exhibition at Neue Galerie Gladbeck, curated by Luisa Schlotterbeck, in collaboration with her predecessor Gerd Weggel. 26.08.–23.10.2022

Out now! You can now purchase the catalogue for the exhibition “Dem Wasser Folgen” at Kunsthalle Bielefeld, featuring work by Klara Hobza.

Out now! You can now view and read the catalogue for “off the beaten rack” curated by Nantje Wilke at KIT – Kunst im Tunnel in Düsseldorf, featuring work by Paloma Proudfoot.

Kunstverein Braunschweig presents Eli Cortiñas' extensive body of work in her first institutional solo show in Germany. The exhibition, curated by Nuno de Brito Rocha and Benedikt Johannes Seerieder, brings together major works from the last 10 years and presents installations newly conceived especially for the exhibition at Villa Salve Hospes. 02.07.–02.10.2022

Paloma Proudfoot will be part of the exhibition “off the beaten rack” curated by Nantje Wilke at KIT – Kunst im Tunnel in Dusseldorf. The exhibition shows sculptures and objects which explore the possibilities of extending and imitating the human body, for example by means of prostheses, instruments or tools. 25.06.–18.09.2022

After the pandemic brought about the demise of so many cultural events, the group exhibition K60 was created to highlight the importance of collaboration and support among galleries, to unify and bolster the Berlin art scene. Launched in 2020, by the galleries alexander levy, BQ, ChertLüdde, Klemm's, Kraupa-Tuskany Zeidler, Plan B and PSM, we are delighted to participate this year for the third edition, banding together with so many wonderful galleries that make Berlin’s scene particularly strong and special! 10.09.–18.09.2022

Klara Hobza will be part of the group exhibition “Dem Wasser Folgen” at Kunsthalle Bielefeld. The exhibition with works by around fifty international artists and selected contemporary positions from the Kunsthalle's collection addresses current, cultural, political, economic and ecological aspects of water. 04.06.–16.10.2022

Grace Weaver is taking part in “How (Not) to Fit In – Metaphern der Adoleszenz”, a group show at Villa Merkel in Esslingen. The exhibition, curated by Benedikt Johannes Seerieder, brings together artistic contributions that open up intersectional perspectives on adolescence, as well as on adolescence as a metaphor, for social dynamics. 08.05.–17.07.2022

Klara Hobza’s solo exhibition “Zustand: Durchlässig - Dem Wasser folgen (Prolog)” was on view at Kunsthalle Bielefeld. 29.01.–15.05.2022

Eli Cortiñas is participating in “Existing Otherwise – The Future of Coexistence” – an Exhibition and Reschooling Programme taking place at SCCA Tamale (Savannah Centre for Contemporary Art) in Ghana. Curated by Solvej Helweg Ovesen, Ibrahim Mahama and Isabel Lewis. 14.01.–30.04. 2022

Out now! Catalogue accompanying the exhibition “Thinking like an Octopus, or: Tentacular Grasp” at Wilhelm-Hack-Museum in Ludwigshafen with contributions on Eli Cortiñas and Klara Hobza. Edited by Julia Katharina Thiemann / Wilhelm-Hack-Museum, published by DISTANZ Verlag.

Shahin Afrassiabi is part of the group show “Part 1: Survival of the Fittest: the big toe of little big man” at Rib Rotterdam. The show takes place within the long-term program “The Last Terminal: Reflections on the Coming Apocalypse” from 24.09.2021–31.12.2023

Eli Cortiñas as part of The 6th Ural Industrial Biennial of Contemporary Art curated by Adnan Yıldız, Çağla Ilk & Assaf Kimmel. 02.10.–05.12.2021

Klara Hobza and Eli Cortiñas are part of “Thinking like an Octopus, or: Tentacular Grasp”, a group exhibition curated by Julia Katharina Thiemann at the Wilhelm Hack Museum in Ludwigshafen. The exhibition takes up reflections to question the existing animal-human relationship. On view until 25.09.2021–09.01.2022

Paloma Proudfoot as part of PROUDICK (together with London based ceramic artist Lindsey Mendick) presents “Today but not today” at Hannah Barry Gallery in London. 02.10.–06.11.2021