Eli Cortiñas
Eli Cortiñas’ practice centers around the idea of challenging cinematic memory through analyzing and re-editing pre-existing footage and merging it with her own film, video and sound recordings. By first collecting, organizing and classifying the sourced material, the artist then reworks and reimagines the found film, YouTube, advertising or animation footage in a next step, disrupting and re-structuring narrative flows. Cortiñas’ video montages, collages and object arrangements suggest new and different meanings to appropriated and edited footage, in order to debunk myths and hegemonic narratives, as the artist of Cuban descent states. This method of ‘editing as writing’ generates a mixed feeling of both identification and alienation. A deep dive into psychological, aesthetic and societal questions, Eli Cortiñas manages to create an ambiguous and affirmative transparency within her work inviting her audience to explore power, memory and politics.
Eli Cortiñas studied at the Academy of Media Arts Cologne and at the European Film College Ebeltoft, Denmark. She was a guest professor at the Art Academy Kassel and the Art Academy Mainz and shared a professorship for Spatial Concepts with Candice Breitz at the University of Art Braunschweig from 2019 till 2022. Cortiñas has recently been appointed professor for Media Art at the Academy of Fine Arts Leipzig. She has received numerous grants and residencies, including Fundación Botín, Kunstfonds, Villa Massimo, Berlin Senate, Villa Sträuli, Goethe Institute, Kölnischer Kunstverein, Rupert and Karl Schmidt Rottluff among others. Selected solo exhibitions include Kunstverein Braunschweig, DE (2022), KINDL – Center for Contemporary Art, Berlin, DE (2021), Convent Space for Contemporary Art, Ghent, BE (2018), Contemporary Art Centre, Vilnius, LT (2018), Kunstraum Innsbruck, AT (2012). Her work was part of several group exhibitions, such as KAI10 Arthena Foundation, Düsseldorf, DE (2022), SCCA (Savannah Centre for Contemporary Art), Tamale, GH (2022), The 6th Ural Industrial Biennial of Contemporary Art, Dobrolyubova, RU (2021), Wilhelm Hack Museum, Ludwigshafen, DE (2021), Pinakothek der Moderne, Munich (2020), Kunstmuseum Bonn (2019), Kunsthaus NRW, Aachen, DE (2018), Museum for Photographie Braunschweig, DE (2017), Goethe Institute Canada, CAN (2017), Schirn Kunsthalle, Frankfurt, DE (2017), and Les Rencontres Internationales at Centre Pompidou, Paris, FR (2011).
Eli Cortiñas, born 1979 in Las Palmas de Gran Canaria, Spain, lives and works in Berlin.

Eli Cortiñas as part of The 6th Ural Industrial Biennial of Contemporary Art curated by Adnan Yıldız, Çağla Ilk & Assaf Kimmel on view until 05.12.2021
Works




























Exhibitions
Press
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"The Artificial Female in the Videos of Eli Cortiñas" by Gillian Nicole Osborne
Berlin Art Link, 12/2022
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"The Body is The House, The House is But Haunted"
Pylon Hub, 11/2022
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"Walls Have Feelings"
Pylon Lab, 11/2022
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"Eli Cortiñas: The Body is The House, The House is But Haunted"
e-flux Announcements, 07/2022
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"Articulating Entities: An Interview with Eli Cortiñas" by Aoife Donnellan
Berlin Art Link, 5/2021
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Interview by Vanina Saracino
Videonale, 2021
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Eli Cortiñas: «Solo con herramientas como la ficción especulativa podemos enfrentar la realidad en la que vivimos» by María von Touceda
Elemmental, 03/2021
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Review (PDF upon request)
Kunstforum International Bd. 265, 1/2020
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Cut to Link: Eli Cortiñas’ Walls Have Feelings by Giulia Civardi
Rupert, 2018
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Abwesenheitsnotiz: Eli Cortiñas: “Ein Projekt jagt das nächste”
Monopol Magazin Online, 7/2018
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Interview with Alna Pomar.
Artdependence, 02/2017
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Interview by Julia Rosenbaum
Independet Collectors, 02/2017
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"Eli Cortiñas. Interview – Expectations and Experiences" with curator Maria Sitte
Schirn, 05/2017
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Decoding the Male Gaze and Colonialism in Classic Cinema, by Charlotte Janssen.
Another Magazine, 11/2016
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Feature on Eli Cortiñas by Swantje Karich (PDF upon request)
BLAU Kunstmagazin, 11/2016
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Eli Cortiñas – Eine Nacht im Martin Gropius Bau by Katrin Schirner.
ARTberlin, 2/2015
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"Akward studies and a decent take on serious matters" by Yvette Greslé
Fad magazine, 05/2013
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"Die Tiefe des flüchtigen Blicks" by Elke Stefanie Inders
Der Freitag, 01/2013
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Review of Neither Glance Nor Glory by Elke Stefanie Inders.
Der Freitag, 12/2012