Shahin Afrassiabi
Shahin Afrassiabi produces works that are rooted in conceptual exploration. Within his practice, he bridges various mediums that intersect in dynamic ways. Utilizing materials such as plaster, paper, oil paint, and photography, Afrassiabi crafts sculptures, paintings, and installations influenced by architectural and geometric elements. His creations defy categorization, embracing a fluidity that fosters organic discovery within his body of work.
As he writes, “I have always tried to remain sensitive and responsive to my environment. Both as a matter of survival, and because I couldn’t see any other way to make art. Each exhibition I have done stands on its own, separate from the next or the one before it, and they have all had a direct relationship with what interested me at the time, be it in my immediate environment, in art, in literature or history. I am the thread that runs through it all.”
Afrassiabi holds an MFA from Goldsmiths College.
Selected solo exhibitions include: Spirit Level, Soy Capitán, Berlin, DE (2022); JAM BLOCK STUCK, with Carrick Bell, curated by Hannes Ribartis; Continental Baths, Berlin, DE (2020); Paintings 2016 – 2018, Soy Capitán, Berlin, DE (2018); Radical Substance, Soy Capitán, Berlin, DE (2015); Theory of Life, MOT International, London, UK (2012); Subject to Form, Limoncello Gallery, London, UK (2010).
Afrassiabi’s work was part of several group shows, such as: Passage of time, Soy Capitán, Berlin, DE (2023); Part 1: Survival of the Fittest: the big toe of little big man, Rib Rotterdam, NL (2021); Hymne an die Jungen – Hymn to the Young, curated by Cora Waschke, Märkisches Museum Witten, DE (2019); Been Caught Stealing, Kunsthalle Exnergasse, Vienna, AT (2014); Showcase Preview, Southlondon Gallery, London, UK (2004); Transmission Gallery, Glasgow, UK (2002); Early One Morning, Whitechapel Gallery, London, UK (2002) and ICA, London, UK (2000).
Shahin Afrassiabi, born 1963 in Tehran, IR, lives and works in Spain and London, UK.
Works
Shahin Afrassiabi, Likeness IV, 2023, oil on linen, 130 × 114 cm
Shahin Afrassiabi, Likeness II, 2023, oil on linen, 60 × 50 cm
Shahin Afrassiabi, Part 1: Survival of the Fittest: the big toe of little big man, 2023, exhibition view, Rib, Rotterdam, NL
Shahin Afrassiabi, Part 1: Survival of the Fittest: the big toe of little big man, 2023, exhibition view, Rib, Rotterdam, NL
Shahin Afrassiabi, Part 1: Survival of the Fittest: the big toe of little big man, 2023, exhibition view, Rib, Rotterdam, NL
Shahin Afrassiabi, Part 1: Survival of the Fittest: the big toe of little big man, 2023, exhibition view, Rib, Rotterdam, NL
Shahin Afrassiabi, Part 1: Survival of the Fittest: the big toe of little big man, 2023, exhibition view, Rib, Rotterdam, NL
Shahin Afrassiabi, Part 1: Survival of the Fittest: the big toe of little big man, 2023, exhibition view, Rib, Rotterdam, NL
Shahin Afrassiabi, Part 1: Survival of the Fittest: the big toe of little big man, 2023, exhibition view, Rib, Rotterdam, NL
Shahin Afrassiabi, Spirit Level, 2022, exhibition view, Soy Capitán, Berlin
Shahin Afrassiabi, Simultaneum, 2022, oil on Arches paper, 100 × 70 cm
Shahin Afrassiabi, The Deepest Lesson, 2022, oil on Arches paper, 57 × 50 cm
Shahin Afrassiabi, Recognition, 2022, oil on Arches paper, 85 × 70 cm
Shahin Afrassiabi, Spirit Level, 2022, exhibition view, Soy Capitán, Berlin
Shahin Afrassiabi, Spirit Level, 2022, exhibition view, Soy Capitán, Berlin
Shahin Afrassiabi, In your end is my beginning, 2022, oil on Arches paper, 58 × 50 cm
Shahin Afrassiabi, The Great Sacrifice, 2022, oil on Arches paper, 65 × 50 cm
Shahin Afrassiabi, Witness, 2022, oil on Arches paper, 65 × 50 cm
Shahin Afrassiabi, Head II, 2021, charcoal on paper, 29 × 21 cm
Shahin Afrassiabi, Jam Block Stuck, 2020, exhibition view, Continental Baths, Berlin, DE
Shahin Afrassiabi, Jam Block Stuck, 2020, exhibition view, Continental Baths, Berlin, DE
Shahin Afrassiabi, correspondence, 2019, oil on board, 40 × 36 cm
Shahin Afrassiabi, Projection, 2019, oil on board, 40 × 36 cm
Shahin Afrassiabi, Paintings 2016-2018, 2018, exhibition view, Soy Capitán, Berlin
Shahin Afrassiabi, Untitled (#7), 2017, graphite on paper, 42 × 29.7 cm
Shahin Afrassiabi, no title, 2016-2018, oil on board, 30 × 25 cm
Shahin Afrassiabi, no title, 2016-2018, oil on board, 30 × 25 cm
Shahin Afrassiabi, no title, 2016-2018, oil on board, 30 × 25 cm
Shahin Afrassiabi, Two kinds of painting, 2016-2018, oil on board, 30 × 25 cm
Shahin Afrassiabi, Memo, 2016, aluminium profiles, silicone, direct print on Alu-Dibond, C-type on metallic paper, 237 × 250 cm
Shahin Afrassiabi, User, 2016, aluminium profiles, silicone, direct print on Aluminium-Dibond, C-type on metallic paper, 230 × 240 cm
Shahin Afrassiabi, On a frozen lake, 2016, C-Type on metallic paper, 84 × 57 cm
Shahin Afrassiabi, Head of a woman (green), 2016, C-Type on metallic paper, 93 × 70 cm
Shahin Afrassiabi, Head of a woman IV, 2016, C-Type on metallic paper, 90 × 70 cm
Shahin Afrassiabi, On reflection, 2016, C-Type on metallic paper, 90 × 70 cm
Shahin Afrassiabi, Head of a woman, 2016, C-Type on metallic paper, aluminium frame, 65 × 50 cm
Shahin Afrassiabi, Beach III, 2016, direct print on Alu-Dibond, 57 × 39 cm
Shahin Afrassiabi, Beach I, 2016, direct print on Alu-Dibond, 115 × 79 cm
Shahin Afrassiabi, The Dress is a Building II, 2015, silk, 80 × 50 cm
Shahin Afrassiabi, The Dress is a Building IV, 2015, silk, 80 × 50 cm
Shahin Afrassiabi, The Dress is a Building, 2014, exhibition view, Soy Capitán, Berlin
Shahin Afrassiabi, Untitled, 2014, ink and inkjet on archival paper, 42 × 29.5 cm
Shahin Afrassiabi, Split Aegaeis, 2014, timber, filler, gauze, silicone, 102 × 78.5 × 7 cm
Shahin Afrassiabi, Underpass With Construction, 2012, timber, filler, silver gelatin print, 240 × 240 × 60 cm
Shahin Afrassiabi, Newspaper, 2012, pigment on heritage paper, 114 × 84 cm
Shahin Afrassiabi, Flash, 2012, metallic paper, 40.5 × 23 cm
Shahin Afrassiabi, MOTSA2012-012/table, 2012, pine, card, cotton thread, white emulsion, 240 × 135 × 40 cm
Shahin Afrassiabi, Underpass With Construction, 2012, timber, filler, silver gelatin print, 240 × 240 × 60 cm
Shahin Afrassiabi, MOTSA2012-008, 2012, pine, filler, white emulsion, card, dowels, 80 × 100 cm
Shahin Afrassiabi, MOTSA2012-004, 2012, pine, filler, white emulsion, card, dowels, charcoal on paper, 70 × 100 cm
Shahin Afrassiabi, Finnisch I, 2012, timber, filler, cardboard, 100 × 70 × 4 cm
Shahin Afrassiabi and Miroslev Tichy, SEAM a didactic model, 2011, Soy Capitán, Berlin, exhibition view
Shahin Afrassiabi, Initial 001 (after Ryman), 2011, pine, filler, dowl, acrylic, acetate, 240 × 212 × 440 cm
Shahin Afrassiabi, Blue dress, 2010, photographic print on metallic paper, 40.5 × 30.5 cm
Exhibitions
Press
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The Last Terminal: Reflections on the Coming Apocalypse (Part 5— Vibrato) at Rib by Maziar Afrassiabi
Art Viewer, 01/2023
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More Than One Death In You by Jan Verwoert
Nero, 09/2022
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The body, the plane, the camera by Marianna Maruyama
Nero, 03/2022
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Shahin Afrassiabi – Paintings 2016–2018 / Soy Capitán, Berlin
Vernissage TV, 9/2018.
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Shahin Afrassiabi at Soy Capitán
Art Viewer, 11/2018
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A conversation between Shahin Afrassiabi and Melissa Canbaz
8/2016
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Shahin Afrassiabi MOT International / London by Alex Ross
Flash Art, 10/2012
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Shahin Afrassiabi & Miroslav Tichý by Kito Nedo
Frieze, 4/2011
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Voyeure auf Distanz by Beate Scheder
BZ, 1/2011
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Review by Sarah Browne
Circa Art Magazin, 3/2004
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Review by Morgan Falconer
Frieze: Issue 70, 10/2002
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Essay by Simon Miller and Frances Gertler
The Guardian, 03/2001